Lisa Frankenstein: A Modern(ish) Gothic Love Story

Lisa Frankenstein is a splendid and absurd coming-of-age movie that embraces the gothic genre in combination with the ‘80s aesthetic. I have seen this movie once and cannot wait to see it again. It is a perfect example of a dark comedy, bringing the theater to laughter at a living corpse killing for his missing body parts, a recurring motif of a faulty tanning bed, and so much more. The movie takes the original story of Mary Shelley’s Frankenstein with gothic love story elements to make a comedy that focuses on sex, obsession, and the role of communication in love. This movie is funny and light-hearted, but also creates powerful characters you cannot help but root for. The moments of emotional depth and intimacy are scattered throughout to break the laughter and tell this love story that lasts despite death. While also interrupted by absurd black-and-white dream sequences and the juxtaposition of gothic fashion and a corpse to bright ‘80s suburbia, the film feels disjointed in a way that leaves you on your toes but not fully lost. There’s a constant sense of whiplash, never knowing what comes next and fully enraptured in every minute. There is no room to breathe, with every scene bringing an onslaught of laughter, absurdity, and ridiculousness. Despite this, the movie does not stumble in its pacing.  

Everything happens exactly when it needs to, nothing is left out and there is nothing added that feels unnecessary. Every action is framed wonderfully by the camera, leaving the audience following the background movement that leaves a wonderful feeling of giddy suspense and anticipation. Some camera shots and angles are odd, but by no means do they take away from this movies’ masterful storytelling. Aside from the story and aesthetics, the acting also drives the story. It is a mix of ridiculous and over-the-top, but subtle enough that it feels genuine and leads to beautiful relationships. If you’re wary about Cole Sprouse and his performance in Riverdale – certainly a valid concern – he manages a wonderful performance despite having few lines. He tells a wonderful story through his actions and zombie body language. The lead, Katherine Newton, is amazing as a troubled teen, facing supernatural love and monsters, alongside family troubles. She has an amazing performance that is so tangible and realistic despite the fantastical elements. In her debut as a director, Zelda Williams conquers grief without concern if it is palatable for others and the teenage mind when it faces potential love and someone who listens. Without becoming an essay on gothic love and erotic violence, Lisa Frankenstein is a beautiful movie that has so much depth despite its whimsy and surreal humor.